The Barbican is one of London’s landmarks and Britain’s largest listed building, yet its architects, Chamberlin, Powell and Bon (CP&B) are little known today. Their leader, Peter (Joe) Chamberlin, died young and their archive was thought to have been destroyed. But detective work has revealed a complex story about three determined characters and a surprising variety of fascinating architecture.
Chamberlin worked on the Festival of Britain, but the practice was formed only in 1952 when Geoffry Powell won a housing competition in London. The resulting Golden Lane Estate is as light and brightly-coloured as the adjoining Barbican that followed is monumental. In between the firm produced a range of buildings that pushed concrete technology to its limits, including houses and schools, Murray Edwards College (New Hall) in Cambridge, and major extensions to Leeds University. These projects are recognised as among the best buildings of the 1960s; this book explains how they happened.
Elain Harwood is a historian with English Heritage specialising in post-war architecture, and has researched the work of CP&B for many years, initially to secure the listing of the best examples.
The book is illustrated with images from CP&B’s rediscovered archive and specially commissioned colour photography by James O. Davies, and will delight architects, students, architectural historians and anyone who is interested in learning more about a key practice in British post-war architecture.
This book has been commissioned as part of a series of books on 20th Century Architects by RIBA Publishing, English Heritage and the Twentieth Century Society.
Buy now from Liverpool University Press and get 25% discount by using the code C20ARCH
234x167mm, 160pp Paperback Colour illustrations Published 2011 ISBN: 978-1-8594639-7-0
Only £ 20.00
Housing was the biggest issue of the twentieth century. This journal considers housing from rural Norfolk to inner London, via Scotland and Wales. It looks at the work of local authorities on meagre budgets, at the colourful world of housing charities in the 1920s and even at the problems of building high-density flats for the rich.