McMorran & Whitby are a secret presence in post-war British Architecture. Led from the late 1950s by Donald McMorran and George Whitby, the practice represented an unbroken development from the monumental inter-war classicism represented by figures such as Charles Holden and Sir Edwin Lutyens. In seeking an alternative path for modern architecture, McMorran & Whitby produced durable buildings with a respect for context, but avoided any accusation of unimaginatively reproducing the past. Theirs was a progressive classicism full of invention and beauty. Being out of fashion, they suffered neglect but their work has increasingly won admirers and many of the buildings are now listed.
Many public institutions favoured their work, as Metropolitan Police Stations and section houses, the Devon County Hall in Exeter, Nottingham University and the West Suffolk County Council buildings in Bury St. Edmunds bear witness. For the City Corporation they built housing estates, the City Police Station, Wood Street and the extension to the Central Criminal Court, (The Old Bailey).
This book is the first major publication on McMorran & Whitby’s work, with an inspiring combination of contemporary photography and previously unpublished archival material. It is an essential read for architects, students, and historians, not least because it uncovers and celebrates buildings outside the mainstream that we need to understand and cherish.
This book has been commissioned as part of a series of books on 20th century Architects by RIBA Publishing, English Heritage and the Twentieth Century Society.
Buy now from Liverpool University Press and get 25% discount by using the code C20ARCH
Format 234x167mm, 160pp Paperback Black and white illustrations Published 2009 ISBN: 978-1-8594632-0-8
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Libraries, fire stations, health centres, town halls and police stations – once a stable presence in the high streets of Britain, are now threatened by demolition or insensitive conversion. They embodied high standards of materials and craftsmanship that formed the image of public service.
It was in the 1960s that conservation emerged in Britain as a mainstream aspect of architecture. These essays look at individual heroes such as Ian Nairn, Lionel Esher and Wayland Kennet whose convictions about the spiritual value of a good environment inspired public policy and explores early successes and failures.