Each month we highlight a building of our period, at home or abroad, that we think deserves attention.
by David Quoroll Sayers Croft is a remarkable place. Nearly a million young people have passed the Weeping Beech tree and down its welcoming drive, many of them enjoying their first real experience of the countryside, and a taste of freedom from the...
by Andy Davies In February 1969 a momentous debate within the University of London about the redevelopment of a Georgian square in their Bloomsbury home marked the end of the free hand of authorities to plan cities in the Modernist tradition. The sc...
by Siri Hoem Erling Viksjø’s government buildings in Oslo, The Highrise (1958) and The Y-block (1969), constitute a unique architectural whole, and are key works of Norwegian modernist architecture. Both are decorated with integral art made by P...
by Alison Sinclair Terry’s of York originated in 1767 in the sugar confectionery business of Bayldon and Berry which by 1824 occupied premises in the fashionable centre of York close to the Mansion House in St Helen’s Square and just round the c...
by Owen Hopkins One of the key moments in my recent book on the architecture and ‘afterlife’ of the great English Baroque architect, Nicholas Hawksmoor (1662–1736), comes towards the end, when the story reaches the 1950s and 1960s. These decad...
by Adam Nathaniel Furman Venturi Scott-Brown’s National Gallery Sainsbury Wing extension (1991) was born into a precarious no-man’s land between the warring camps of neo-modernists and traditionalists who had been tussling over the direction of ...
By Clare Price If you can bear the diesel fumes from the queue of National Express coaches waiting outside, stand opposite the entrance to the Victoria Coach Station Arrivals Hall in Eccleston Place and you will be rewarded with the sight of this fi...
by Elain Harwood This weekend house by Stout and Litchfield (1963-4) is at once convivial yet also intensely private. To enter its hidden domain is to be transported into another world, literally, for as you step gingerly across the stones of its ...
by Aidan Turner-Bishop The Cumberland Inn, Botchergate, designed in 1928 by Harry Redfern, architect to the Carlisle State Management Scheme, was built in 1929-30 in Tudor style. Carlisle was the centre of an experiment in the management of public h...
By Geraint Franklin The Furniture Industry Research Association (FIRA) was a direct result of the government’s measures for post-war reconstruction. The 1939-45 war led to a national reconfiguration of the furniture industry, redeploying labour an...
Look for past Buildings of the Month by entering the name of an individual building or architect or browsing the drop down list.